Showing posts with label story. Show all posts
Showing posts with label story. Show all posts

Friday, April 23, 2010

Chagall's Four Tails from the Arabian Nights

In the spring of 1946, Marc Chagall was in exile in the United States as the war was drawing to a close. He was accorded the singular honor of a major retrospective at the Museum of Modern Art, New York. In the fall he returned to his home in High Falls, New York in the Catskill Mountains where he began work on commission for a suite of thirteen colored lithographs to illustrate the Arabian Nights. These were Chagall's very first color prints. As with his etchings he began this project with studies in gouache. He then worked over the litho stones in great detail to create color as luminous and opulent as possible.

The Arabian Nights

“Is it possible, that by telling these tales,
one might indeed save one’s self?”

The character, Scheherezade thought so. In fact, she tells each of the Arabian Nights tales in order to survive a little longer at the mercy of her listener, the Sultan.

The Arabian Nights stories are some of the world’s great treasures. They have existed for thousands of years, consisting of tales told in Persia, Arabia, India and Asia. The Arabian Nights (also known as The 1001 Arabian Nights) have inspired writers the world over with the ancient power of story.

There are versions of these stories in many languages and they all convey the great sense of adventure, truth, fantastic imagination, justice, and faith embodied by the great civilizations that contributed stories and ideas to the collection.

The Arabian Nights include fairy tales, fables, romances, farces, legends, and parables. The tales use a sweeping variety of settings, including Baghdad, Basrah, Cairo and Damascus, as well as China, Greece, India, North Africa and Turkey.

These fanciful, sometimes brutal tales, revel in the art of storytelling. The underlying suggestion of the Arabian Nights is that a fantastically precious jewel exists which, when it comes into contact with people, actually changes them. The jewel is the magnificently powerful art of story. There may not be any better examples in the world of how art, trickery, magic and craft can swirl together and form a world that every reader and listener wants to enter. Regardless of the situation presented in any particular Arabian Nights story, the assumption contained in the story is that life is always worth living and that human endeavor, along with human weakness, is a wonderful and fascinating thing to behold. These stories form a powerful mental connection between the ancient civilizations of the East and those of the West. Moreso than any other piece of writing in history, these stories illustrate that the minds of the East and of the West consider carefully the same subject matter.

Wednesday, July 29, 2009

MIRO, Joan "Gargantua"

Miro, Joan
Gargantua,
1977
Etching, aquatint and carborundum

Signed lower left 38/50


Story of Gargantua:

Gargantua (1929-1949) was a captive lowland gorilla who was famous in his lifetime and has been credited with saving the Ringling Brothers circus from bankruptcy. Gargantua was born wild in the Belgian Congo in approximately 1929. In the early-1930s, the gorilla was given to a Captain Arthur Phillips as a gift from missionaries in Africa. The captain was fond of him and called him "Buddy". He was kept aboard his freighter and became popular with most of the crew. One sailor, however, drunk and seeking revenge on the captain's strictness, threw nitric acid in Buddy's face. This did not kill the gorilla but the attack almost blinded him and left both mental and physical scars - leading to much more aggressive behavior.


Unable to deal with this aggression, the captain gave Buddy to Gertrude Lintz, a wealthy eccentric who looked after sick animals in Brooklyn. She cared for Buddy, and other apes, as her children and even arranged for plastic surgery on the scar, leaving Buddy with a permanent sneer. She was known to drive around Brooklyn with Buddy, dressed in clothes, in the passenger seat. This behavior backfired, however, in 1937. Buddy, frightened by thunder, broke out of his cage and climbed into bed with his "mother" for comfort. Mrs. Lintz contacted John Ringling shortly thereafter

Ringling bought Buddy from Mrs. Lintz and renamed him "Gargantua". The Ringling Bros. and Barnum & Bailey Circus, in financial problems after the Great Depression, heavily advertised their newest attraction. Gargantua attracted millions and single-handedly saved the circus. Gargantua died in November 1949. His skeleton was donated to the Peabody Museum in 1950 but is now only displayed on special occasions.