Michael Visits the Florence Academy

This past February Owner and President of Galerie Michael, Michael Schwartz, visited the Florence Academy of Art, Florence Italy, to hand select artists to exhibit at Galerie Michael's Florence Academy Alumni Exhibition in September. Not only did Michael visit the studios of artists such as Daniel Graves, Founder of the Academy (Philosophy of Art), Professor and Alum's Robert Bodem and Hunter Eddy, and students Louis Fenne, Cornelia Hernes, and Vitaliy Shtanko but he also selected and commissioned some of the works for the gallery's upcoming show. (right: Alicia Ponzio, Below: Robert Bodem's sculpture studio)




The Florence Academy was founded in 1991 and specializes in highly skilled Realistic painting, drawing, and sculpting in the traditions of the Old Masters. The students of the academy go through a rigorous 4 year training followed by an apprenticeship.


During the first year of study the students focus on academic drawing and rarely pick up a paintbrush in fact it's not until they have the background, discipline, skills and knowledge do the students start painting. First the artists study the basics such as the materials needed to create defining works, the differences between manufactured paint and handmade oils, how to stretch canvas, make frames, and students study in depth the works of the Old Masters. (Right: Eran Webber and his studio)



Keeping in the tradition of the Old Masters, it's not until this basic foundation is laid, do the students study form, light and basic compositions. The models come in and the students start to create drawings and basic sculptures from live models.


The next step is taking what is learned and applying it to the canvas, however before this happens the old tradition of sketching is taught. Then once the sketch is created and reworked until the students the students learn light, shadow and color by the absence of color. Sepia tones and black and white tones are first used to gain understanding of light, shadow, depth, movement of paint and tones. After this step is mastered the artist has graduated and uses color but you will notice the colors are used as an accent in most of these artists' works, a way to accentuate the subject, move the eye, and enhance the overall image. (Right: Hege Elisabeth Haugen studio, Above: Alicia Ponzio's studio)



With this intensive study that the artists are able to create masterpieces that move and envelope its viewers. This technique is drastically different than the Impressionist who use conflicting colors to create movement, the Realists tend to lean on the enhancement of color or sometimes the lack of color to bring drama and focus to their work. (below: Cody Swanson's studio)


We hope that you can join the gallery in September in welcoming the first annual Florence Academy Alumni Exhibition! More information to come closer to the event.