Galerie Michael opens its fall season with an Exhibition by Artist Alumni from the Florence Academy of Art

With a private evening reception on Thursday, September 15, Galerie Michael opened its doors for the inaugural exhibition of recent paintings and sculpture by artist alumni from the Florence Academy of Art (FAA) in Italy. The exhibition showcases twenty-two artists in the academy’s west coast debut whose works are reminiscent of the European masters of the Renaissance. Technically exquisite and thematically exploring mythological storytelling and a play on life, death, narcissism and the supernatural the exhibition highlights traditional craftsmanship, observation from nature and studio expertise that these artists continue.

In his opening speech gallery owner Michael Schwarz expressed his lasting commitment in presenting the works of the artists of the Florence Academy and respectfully spoke of the integrity, stimulating artistic discourse and dedication that these young artists have offered since his first visit to the academy in Florence. Equally proud of the collaboration and launching of the exhibition program was FAA founder Daniel Graves and executive director Susan Tintori who shared insights of the academy’s history and mission.

Invited guests flocked to the gallery opening delighted to meet several of the artists in person and to view the expansive new art display firsthand. During the evening clients and artists mingled in the upstairs galleries filled with impressive figurative paintings, still lifes and life size bronze sculptures. Off to an exciting new art season the exhibition continues on view through October 15, 2011.

A fifty page full color catalog is available.

Galerie Michael
224 N. Rodeo Drive
Beverly Hills, CA 90210

Mon – Sat: 10:00am to 7:00pm
Sun: 12:00pm to 6:00pm

Toby Wright, (b.1976)

Dogma, 40"x30", Oil on Canvas


Toby Wright was born 1976. He began his art studies at university in England with four years studying illustration, earning a B.A. (Hons) degree in 1988. Unfulfilled with much of the instruction he received, he enrolled at the Florence Academy of Art in 1999. While studying, he was invited to assist teaching and later became the director of the drawing program for the sculpture department before moving on to being a principal instructor in the advanced painting program.

Since 2010, Toby has set up his own studio in the South of France, where he works on various projects and commissions. Some of Toby’s figurative work explores a psychological narrative, occasionally with elements of symbolism, inviting the viewer to explore a scenario that they may identify with, or to which they may simply be an onlooker. He strives to unite the visual experience with the living experience of interacting with the subject, to create a dialogue between artist, subject and viewer.

Inspired by various old masters of painting and sculpture from the 17th and 19th Century, Toby Wright believes in the method of working form life to capture the full depth of his subjects, with particular interest in the language of the human form through figurative compositions, such as the portrait or full figure. Always working from a model in the studio, orchestrating light for a still life, and spending many hours outdoors for his landscapes to give the full visual story.

Michael Visits the Florence Academy

This past February Owner and President of Galerie Michael, Michael Schwartz, visited the Florence Academy of Art, Florence Italy, to hand select artists to exhibit at Galerie Michael's Florence Academy Alumni Exhibition in September. Not only did Michael visit the studios of artists such as Daniel Graves, Founder of the Academy (Philosophy of Art), Professor and Alum's Robert Bodem and Hunter Eddy, and students Louis Fenne, Cornelia Hernes, and Vitaliy Shtanko but he also selected and commissioned some of the works for the gallery's upcoming show. (right: Alicia Ponzio, Below: Robert Bodem's sculpture studio)




The Florence Academy was founded in 1991 and specializes in highly skilled Realistic painting, drawing, and sculpting in the traditions of the Old Masters. The students of the academy go through a rigorous 4 year training followed by an apprenticeship.


During the first year of study the students focus on academic drawing and rarely pick up a paintbrush in fact it's not until they have the background, discipline, skills and knowledge do the students start painting. First the artists study the basics such as the materials needed to create defining works, the differences between manufactured paint and handmade oils, how to stretch canvas, make frames, and students study in depth the works of the Old Masters. (Right: Eran Webber and his studio)



Keeping in the tradition of the Old Masters, it's not until this basic foundation is laid, do the students study form, light and basic compositions. The models come in and the students start to create drawings and basic sculptures from live models.


The next step is taking what is learned and applying it to the canvas, however before this happens the old tradition of sketching is taught. Then once the sketch is created and reworked until the students the students learn light, shadow and color by the absence of color. Sepia tones and black and white tones are first used to gain understanding of light, shadow, depth, movement of paint and tones. After this step is mastered the artist has graduated and uses color but you will notice the colors are used as an accent in most of these artists' works, a way to accentuate the subject, move the eye, and enhance the overall image. (Right: Hege Elisabeth Haugen studio, Above: Alicia Ponzio's studio)



With this intensive study that the artists are able to create masterpieces that move and envelope its viewers. This technique is drastically different than the Impressionist who use conflicting colors to create movement, the Realists tend to lean on the enhancement of color or sometimes the lack of color to bring drama and focus to their work. (below: Cody Swanson's studio)


We hope that you can join the gallery in September in welcoming the first annual Florence Academy Alumni Exhibition! More information to come closer to the event.

Alex Renoir: A Visual Composer

When one looks at a painting by Alexandre Renoir one will see a glimpse at the “Impressionist” movement as characterized by an artist’s ability to render a fleeting moment in time, creating candid compositions, and capturing an “impression” of the ever changing effects of light and atmospheric compositions. Viewers can detect Alexandre’s great-grandfather’s artistic essence and techniques in the works he is creating today, which are augmented with his own original flair.

The use of various palette knives in oil paint allows Alexandre to create a sculptural feel to the canvas. The paint is very thick and bold. It allows one to feel good. Impressionism is one of those styles that include the viewer as much as it does the artist. No two people will see the canvas the same way.

His paintings evoke a certain magic within. You can see the expressions on the viewers faces. It’s that invisible bond between the viewer and the painting. It captures the soul and brings a serenity that is not explainable.

The textures and colors flow across the canvas creating an affect that is captivating. His style is a mix of Impressionism-old and new. We delight in the results of his strokes of genius.

Alexandre Renoir was born in 1974 in Cagne Sur Mer in the south of France. We now have a great opportunity to experience his ethereal work.